Sound Design & Synthesis

Khorlo makes physical modeling feel like a rhythm generator because it changes the usual relationship between exciter, resonator, and time. Instead of asking producers to pluck one modeled string from a keyboard and then build rhythm with MIDI notes, JAS-I…

SUBTERRAIN Rumble Kick turns techno kick design into a whole signal chain because it treats the kick, rumble, room, movement, filtering, and final drive as one connected instrument. Instead of asking producers to build a dark techno low-end chain from…

Yurt Rock Pick Pocket lets producers steal a drum groove’s human pocket because it focuses on the part of a drum performance that normal audio-to-MIDI tools often flatten: the feel. A kick on the grid, a snare behind the beat,…

Amy Nicola McBride Fishtail makes generative MIDI feel more like composition than AI prompting because it does not ask the producer to describe a song and wait for a black-box model to return music. It builds MIDI from rule-based musical…

Fanan Domina makes seeded MIDI arpeggios feel like repeatable composition because it treats an arpeggiator pattern as something more structured than a note-cycling trick. A normal arpeggiator usually takes held notes and moves through them in a predictable direction. Domina…

sonible smart:chain turns AI mixing from track fixing into session control because it does not treat a mix as a pile of isolated channel problems. It combines intelligent EQ, compression, de-harshing, gating, input riding, saturation, clipping, and leveling inside one…

Folina Audio Groove Destroyer rewrites rhythm without killing the pulse because it does not behave like a normal gate, stutter, or glitch effect. Instead of chopping audio into a rigid pattern, it listens to the groove underneath the source, generates…