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Mixing & Mastering Techniques

JAS-I

Why Khorlo Makes Physical Modeling Feel Like A Rhythm Generator

Trevor Gaines September 9, 2026September 9, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Khorlo makes physical modeling feel like a rhythm generator because it changes the usual relationship between exciter, resonator, and time. Instead of asking producers to pluck one modeled string from a keyboard and then build rhythm with MIDI notes, JAS-I…

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Rumblekick

How SUBTERRAIN Rumble Kick Turns Techno Kick Design Into A Whole Signal Chain

Piper Sandoval September 8, 2026September 8, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

SUBTERRAIN Rumble Kick turns techno kick design into a whole signal chain because it treats the kick, rumble, room, movement, filtering, and final drive as one connected instrument. Instead of asking producers to build a dark techno low-end chain from…

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Yurtrock

Why Yurt Rock Pick Pocket Lets Producers Steal A Drum Groove’s Human Pocket

Priscilla Lee September 7, 2026September 7, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Yurt Rock Pick Pocket lets producers steal a drum groove’s human pocket because it focuses on the part of a drum performance that normal audio-to-MIDI tools often flatten: the feel. A kick on the grid, a snare behind the beat,…

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Waves Audio V17 mastering session with plugin meters on a studio monitor

Waves Audio V17: Mastering Feature Analysis

Piper Sandoval September 6, 2026 Mixing & Mastering Techniques

Waves Audio V17 brought preset search, stem separation, loudness updates, and Apple Silicon changes. Here is what mix engineers can verify.

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LUNA Pro 2.0.4 mix session with vocal tracks and bus processing on a studio monitor

LUNA Pro 2.0.4 Mixing Workflow Review

Trevor Gaines September 5, 2026 Mixing & Mastering Techniques

LUNA Pro 2.0.4 added ARA tools for vocal leveling, loudness normalization, spectral cleanup, and faster large-session loading.

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MIDIplugin

How Amy Nicola McBride Fishtail Makes Generative MIDI Feel More Like Composition Than AI Prompting

Trevor Gaines September 4, 2026September 5, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Amy Nicola McBride Fishtail makes generative MIDI feel more like composition than AI prompting because it does not ask the producer to describe a song and wait for a black-box model to return music. It builds MIDI from rule-based musical…

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HyFi Online Mastering session on a laptop beside studio monitors

HyFi Online Mastering: Practical Producer Notes

Trevor Gaines September 3, 2026 Mixing & Mastering Techniques

HyFi Online Mastering gives producers browser-based mastering with pay-as-you-go credits, revisions, and clear limits worth checking.

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ParishAudio

Why Parish Audio Aethon Turns Granular Processing Into A Texture Capture Engine

Priscilla Lee September 3, 2026September 3, 2026 Mixing & Mastering Techniques, Music Production, Software & DAW Tutorials

Parish Audio Aethon turns granular processing into a texture capture engine because it does not ask producers to load a sample, prepare a sound, or leave the track to build atmosphere somewhere else. It listens to the audio already moving…

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FananDomina

How Fanan Domina Makes Seeded MIDI Arpeggios Feel Like Repeatable Composition

Malik Ortega September 2, 2026September 2, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Fanan Domina makes seeded MIDI arpeggios feel like repeatable composition because it treats an arpeggiator pattern as something more structured than a note-cycling trick. A normal arpeggiator usually takes held notes and moves through them in a predictable direction. Domina…

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sonible

Why sonible smart:chain Turns AI Mixing From Track Fixing Into Session Control

Keon Marshall September 1, 2026September 1, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

sonible smart:chain turns AI mixing from track fixing into session control because it does not treat a mix as a pile of isolated channel problems. It combines intelligent EQ, compression, de-harshing, gating, input riding, saturation, clipping, and leveling inside one…

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