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Author: Trevor Gaines

LUNA Pro 2.0.4 mix session with vocal tracks and bus processing on a studio monitor

LUNA Pro 2.0.4 Mixing Workflow Review

Trevor Gaines September 5, 2026 Mixing & Mastering Techniques

LUNA Pro 2.0.4 added ARA tools for vocal leveling, loudness normalization, spectral cleanup, and faster large-session loading.

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MIDIplugin

How Amy Nicola McBride Fishtail Makes Generative MIDI Feel More Like Composition Than AI Prompting

Trevor Gaines September 4, 2026September 5, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Amy Nicola McBride Fishtail makes generative MIDI feel more like composition than AI prompting because it does not ask the producer to describe a song and wait for a black-box model to return music. It builds MIDI from rule-based musical…

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HyFi Online Mastering session on a laptop beside studio monitors

HyFi Online Mastering: Practical Producer Notes

Trevor Gaines September 3, 2026 Mixing & Mastering Techniques

HyFi Online Mastering gives producers browser-based mastering with pay-as-you-go credits, revisions, and clear limits worth checking.

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Festival Mixing Expectations for an arena control room with audio meters and concert lighting

Festival Mixing Expectations For iHeartRadio 2026

Trevor Gaines August 24, 2026 Mixing & Mastering Techniques

Festival Mixing Expectations for iHeartRadio 2026, with cautious notes on loudness, genre changes, broadcast audio, and release timing.

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MIDItoolkit

Why Numerical Audio MidiRack Turns The iPad Into A Modular MIDI Control Room

Trevor Gaines August 24, 2026August 24, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Numerical Audio MidiRack turns the iPad into a modular MIDI control room because it treats the touchscreen as more than a keyboard, pad grid, or transport remote. It lets producers build a custom performance surface, then connect that surface to…

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Mixing Live Sound console view at front of house in a concert venue

Mixing Live Sound Lessons From Nashville 2026

Trevor Gaines August 20, 2026 Mixing & Mastering Techniques

Mixing Live Sound in Nashville’s August 2026 context, with console routing, monitor workflow, low-end control, and vocal priorities.

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Active Listening

How Active Listening Turns Passive Hearing Into A Producer’s Best Creative Tool

Trevor Gaines August 17, 2026August 17, 2026 Creative Inspiration

Active listening turns passive ear training into a direct composition workflow by training ears to isolate single mix elements inside dense arrangements. Background playback lets tracks blend together into a single wall of sound. Active listening forces a producer to…

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ConvertWithMoss

Why ConvertWithMoss 20.1 Makes Sampler Formats Feel Less Trapped

Trevor Gaines August 10, 2026August 10, 2026 Music Production, Software & DAW Tutorials, Sound Design & Synthesis

ConvertWithMoss 20.1 makes sampler formats feel less trapped because it attacks one of the most annoying problems in sample-based production: a good multisample library is often locked to the wrong machine, wrong plugin, wrong folder structure, or wrong era. Producers…

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Synterra

How Vaemi Synterra Turns Plants, Light, And Magnetic Fields Into Generative Music

Trevor Gaines August 7, 2026August 7, 2026 Mixing & Mastering Techniques, Music Production, Software & DAW Tutorials

Vaemi Synterra turns plants, light, and magnetic fields into generative music by treating the surrounding environment as the performance input. Instead of asking the producer to start with a keyboard, pad grid, step sequencer, or DAW piano roll, Synterra listens…

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BiteRotator

How 4bite BiteRotator Finds Hidden Vocal Headroom Without Changing Loudness

Trevor Gaines August 6, 2026August 6, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

4bite BiteRotator finds hidden vocal headroom without changing loudness because it targets a problem many producers hear only after the compressor, clipper, or limiter starts working too hard. A vocal can look loud on the meter without sounding louder to…

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