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Author: Keon Marshall

AudioDamageAD202

How Audio Damage AD-202 Turns The Roland MC-202 Into A Modern MPE Synth

Keon Marshall August 21, 2026August 21, 2026 Mixing & Mastering Techniques, Music Production, Sound Design & Synthesis

Audio Damage AD-202 turns the Roland MC-202 into a modern MPE synth because it keeps the compact mono-synth attitude of the early-1980s MicroComposer idea while adding the expressive control that the original hardware could never offer. The result is not…

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Global Citizen Soundscapes inspired by a festival stage with layered speakers and synth textures

Global Citizen Soundscapes: Producer Lessons

Keon Marshall August 20, 2026 Sound Design & Synthesis

Global Citizen Soundscapes offer producers lessons in scale, genre contrast, low-end control, and cautious live-to-studio translation.

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Cincinnati Music Festival gear setup on a large stadium stage before showtime

Cincinnati Music Festival Gear: Stage Lessons

Keon Marshall August 19, 2026 Gear Reviews

Cincinnati Music Festival gear analysis with cautious notes on staging, PA scale, FOH choices, and what was confirmed after July 2026.

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music collaboration session with producers arranging drums and synth parts

Music Collaboration Lessons From Outside Lands

Keon Marshall August 18, 2026 Beatmaking & Arrangement

Music collaboration lessons from Outside Lands 2026 for producers shaping beats, arrangements, credits, and creative roles.

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Gallery wall with Sharon Booma Exhibition inspired layered abstract paintings

Sharon Booma Exhibition: The Unsaid Thought

Keon Marshall August 17, 2026 Creative Inspiration

Sharon Booma Exhibition at LewAllen Galleries offers a careful look at layered abstraction, process, intuition, and creator inspiration.

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MODPOD

How MOD POD Brings Pitch Bend, Aftertouch, And Macros Back To Laptop Producers

Keon Marshall August 11, 2026August 11, 2026 Mixing & Mastering Techniques, Music Production, Software & DAW Tutorials

MOD POD brings pitch bend, aftertouch, and macros back to laptop producers by solving a small but persistent workflow problem: many compact music setups are powerful enough to run full DAW sessions, but physically too limited to perform expressive MIDI…

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multienginesynt

How Expressive E Noisy 2.6 Turns Gesture Into Multi-Engine Sound Design

Keon Marshall August 4, 2026August 4, 2026 Mixing & Mastering Techniques, Sound Design & Synthesis

Expressive E Noisy 2.6 turns gesture into multi-engine sound design because it treats pressure, movement, velocity, aftertouch, modulation, and automation as part of the sound engine rather than decoration after the patch is built. For RobSonic readers who work with…

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DuskAudio

How Dusk Audio Sunset Circuits Turns Six Free Synths Into One Vintage Workflow

Keon Marshall July 30, 2026July 30, 2026 Music Production, Software & DAW Tutorials, Sound Design & Synthesis

Dusk Audio Sunset Circuits turns six free synths into one vintage workflow because it gives producers six different synthesis personalities without forcing them to learn six completely separate instruments. For RobSonic readers who work with electronic music, synthwave, acid basslines,…

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JamstikLoon

How Jamstik Loon Brings MIDI Guitar Thinking Into Multi-Engine Synth Design

Keon Marshall July 21, 2026July 21, 2026 Mixing & Mastering Techniques, Music Production

Jamstik Loon brings MIDI guitar thinking into multi-engine synth design because it treats expression, layering, and performance as part of the instrument rather than an afterthought. For RobSonic readers who work with synths, MIDI controllers, guitar-based writing, MPE performance, and…

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ToneVeil Shows

Why ToneVeil Shows The Rise Of Smarter Resonance Control In Mixing

Keon Marshall July 20, 2026July 20, 2026 Music Production

ToneVeil shows the rise of smarter resonance control in mixing because modern productions rarely have only one fixed problem frequency. Harshness moves. Vocal peaks jump on certain syllables. Cymbals become sharp only when the performance gets loud. Guitars ring on…

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